The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
The SF institution returns to the Castro Theatre with 18 rediscovered films and live musical accompaniment. Highlights include a collection of Disney's Laugh-O-Grams, a travelogue of an expedition to the Antarctic and a film once cited as "the single greatest masterwork in the history of cinema" by stately film journal Cahiers du Cinema. More info castrotheatre.com.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
A grad student brings a rare screening of silent classic 'Braza Dormida' to the PFA, with live jazz accompaniment.
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
The San Francisco Silent Film Festival's Winter Event, a one-day affair to showcase silent films, returns to the Castro. Features include Charlie Chaplin shorts, Marcel L’Herbier’s 1928 ‘L’Argent’ and King Vidor’s 1926 ‘La Boheme,' each accompanied with live music. More at silentfilm.org and castrotheatre.com.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
With Eadweard Muybridge's motion experiments and Niles Essanay's early productions, the San Francisco Bay Area brought the silent film to life.
"David Kiehn didn't go into the movie business seeking fame. But thanks to some sharp detective work and YouTube, the soft-spoken Fremont silent-film historian will make his small-screen debut Sunday on '60 Minutes,'" writes Matthew Artz. "The CBS newsmagazine show is devoting an 11-minute segment to Kiehn, whose research proved that a silent film of San Francisco's Market Street was shot just days before the 1906 earthquake -- not in 1905 as previously believed." More at insidebayarea.com.
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
The Victoria Theater is shut up tight, with no sign of life. After a few raps on the door, a woman peeks out and leads me inside.
The Victoria Theater is shut up tight, with no sign of life. After a few raps on the door, a woman peeks out and leads me inside.
Wasn't it just yesterday that Cinequest was the scrappy upstart amongst Bay Area festivals? Apparently not: San Jose's annual cinematic blowout is entering its third decade.
Once known primarily as the co-founder and bassist of the influential punk band Siouxsie and the Banshees, Steven Severin now follows his muse in many directions.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
One can't help but think about the concept of cinematic language, as well as spoken language, when talking with Munyurangabo filmmaker Lee Isaac Chung.
The Lost World, the 1925 silent fantasy
Zac Holtzman scores The Lost World with Dengue Fever, creating a sound that has been described as a psychedelic version of vintage Cambodian rock'n'roll, fueled by Cambodian singer Chhom Nimol's vocal stylings and Ethan Holtzman's organ and accordion shadings.
Zac Holtzman scores The Lost World with Dengue Fever, creating a sound that has been described as a psychedelic version of vintage Cambodian rock'n'roll, fueled by Cambodian singer Chhom Nimol's vocal stylings and Ethan Holtzman's organ and accordion shadings.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Having just spent three invigorating days in Niles watching crowds cheering to films from the years between 1903 and 1917, I can report that silent films are alive and well.
Having just spent three invigorating days in Niles watching crowds cheering to films from the years between 1903 and 1917, I can report that silent films are alive and well.
Looking for something meaningful to do Sunday at 2 a.m.? Try the all-night Dawn festival.
A series of films at SFMOMA present an outsiders take on the outmoded American staple, the Western.
SFIAAFF has grown from a niche event to a major international festival - with more than enough voices to justify its unwieldy moniker.
The List: A commentary-filled list of the lineup at the silent film festival, which consists of three separate programs and an evening mixer with live music.
The List: A commentary-filled list of the lineup at the silent film festival, which consists of three separate programs and an evening mixer with live music.
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
Stacey Wisnia has been a vibrant fixture in the San Francisco film scene for years and has became the Executive Director of the San Francisco Silent Film Festival,
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
The four-day festival offered over 100 films, with an emphasis on documentaries, and attracted some 60 filmmakers, including Albert Maysles.
While the SF International Film Festival has always had celebrity guests, the 50th edition featured a particular concentration of unique one-offs.
Many stars are forgotten for a while, then “rediscovered” and newly appreciated by a later generation. But the case of Louise Brooks is somewhat unique — she was, really, only a “star” in retrospect. Her Hollywood profile was headed that-a-way when she foolishly (according to the industry) abandoned it to make a couple European movies. When she returned, her moment had passed.
A paltry if promising career and early dead-end-at the time, it constituted barely a blip on the radar. Yet those European films grew in stature over ensuing years, and with that the gradual realization that Brooks had been one of the great screen presences, however briefly. Her striking look — porcelain skin, alert features, sleek jet-black flapper bob — and naturalistic acting haven’t dated at all.
As a result, it seems there’s more interest in her with each passing year. The latest evidence is critic and historian Peter Cowie’s new book “Louise Brooks: Lulu Forever,“ published in time to commemorate the centenary of her birth. He’ll be signing copies and presenting a special commemorative film program at the Balboa this Sunday. The evening promises a rarely screened feature, a short and trailers showcasing Brooks, as well as “special guests, door prizes and more.” (Cowie will also appear the prior night at the Smith Rafael Film Center to screen a new 35mm print of her best-known vehicle “Pandora’s Box.”)
Why the fuss? Why, indeed, is there such a thing as The Louise Brooks Society (which is co-presenting this event with The Booksmith)? The explanation is all on-screen, in any role where she wasn’t entirely wasted.
Kansas-born Brooks started out as a dancer, first in touring troupes and then in Broadway revues. This led to Hollywood in 1925, where bit parts led steadily to larger ones, finally female leads in two good 1928 Paramount releases: Howard Hawks’ rollicking “A Girl in Every Port” and William Wellman’s more delicate “Beggars of Life.”
She hadn’t set the world on fire yet, but was certainly expected to graduate from starlet to star. Paramount was not pleased, however, when she chose — just as “talking pictures” were becoming the rage — to end her contract and accept a silent-film offer in Germany. This was G.W. Pabst’s “Pandora’s Box,” drawn from Franz Wedekind’s play “Lulu,” and with beguiling lack of affectation she played that titular seducer/destroyer of both men and women, herself finally destroyed by Jack the Ripper. Perhaps even better (if less shocking) than that famous classic was a second Pabst movie, “Diary of a Lost Girl,” in which her victimized innocent is indelibly touching. She also starred as an exploited beauty-contest winner in a French film, 1930’s “Prix de Beaute.” These are all wonderful movies in which she was superb. But for a long time they were little seen outside their home countries — particularly in the U.S., where silent cinema was already stone-cold-dead.
Returning to Hollywood, Brooks was now — at age 24 — a has-been. She unwisely turned a couple good offers and accepted a handful of humiliatingly poor ones, including bit parts. Those few who remembered her considered her “difficult” and past expiration date. Her last movie role was a nondescript heroine in a nondescript 1938 “Z” western, “Overland Stage Raiders” — one of a zillion such that John Wayne starred in before becoming an “A”-list star.
Found living in seclusion in the mid-‘50s, Brooks was surprised and delighted that latterday film buffs not only remembered but worshipped her. She returned the favor by writing very intelligently about her own movies and the art form in general (mostly famously in the essay collection “Lulu in Hollywood,” which is still in print). She admitted sabotaging her own career as readily as she enjoyed her new iconic status in retirement, dying at a no doubt satisfied age 80 in 1985 — secure in the knowledge that her legend would continue to grow.
[“Pandora’s Box” plays Sat., Nov. 11, at 7 pm, Smith Rafael Film Center, 1118 4th St., San Rafael. $6.25-9.50. (415) 454-1222. “Celebrating Louise Brooks: An Evening of Rare Films,” issues Sun., Nov. 12, at 7:30 pm, Balboa Theatre, 2630 Balboa, SF. $6-8.50. (415) 221-8184.]
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
An alphabetical accounting of ten titles well worth watching that somehow slipped through the cracks.